If in need of a dose of serene beauty (as I think many of us are ) I'd take this Scheier bowl, and the pair of smaller blue ones I've also just listed, and the Makah basket today, too, line them up in a row on a shelf, and take a deep breath. Lovely, and calming--like earth and sky at once.
Because of their several decades spent teaching at the University of New Hampshire, Durham, pieces by widely renowned and influential ceramicists Edwin and Mary Scheier pop up more frequently around here than in most other places, this bowl indeed found in NH, not far from Durham. I believe it dates to the 1950s or so, signed on the underside, in excellent condition. Hard to photograph well, but the glaze is a sort of cream with a bit of gray in it, and with a darker gray flaming on one side that makes me think of 19th century smoke decoration. 5" d x 3" t
More about Edwin and Mary Scheier, courtesy of Wright auction house; tons out there about them, important figures in the history of American ceramics:
Husband and wife duo Edwin and Mary Scheier enjoyed a prolific and prodigious career that spanned nearly six decades. Their lifelong collaboration began in the late 1930s when they worked for the federal Works Progress Administration. Not long after, the two married and then spent a year as traveling puppeteers before obtaining the opportunity to study ceramics at the Tennessee Valley Authority Ceramic Laboratory. The rest, as they say, is history; the couple fell in love with pottery, Mary becoming incredibly adept at throwing pots, and Edwin at glazing and decoration.
In 1940 they relocated to Durham, New Hampshire at the behest of architect David R. Campbell to work at the University of New Hampshire, where Edwin taught and Mary was artist-in-residence. They settled in and stayed for nearly thirty years, garnering a dedicated following of students and clients, and periodically taking trips to Oaxaca, Mexico to soak up the ancient culture and design. Edwin and Mary moved to Oaxaca full-time in the late 1960s where they lived and worked for nearly ten years before making their final move to Green Valley, Arizona. While in Oaxaca, Edwin branched out into weavings and sculpture, working in indigenous guanacaste wood and designing tapestries that were then woven by local craftspeople.
The Scheiers developed a distinctive style that, though it evolved over time, is immediately recognizable. Common themes ranged from biblical to pre-Columbian to abstract, drawing from their many travels and exposure to different cultures and styles. Mary’s thin-walled, elegantly shaped vessels illustrate her mastery of the wheel and her admiration for Japanese and Chinese ceramic traditions, while Edwin’s abstract designs display a nuanced understanding of fine art balanced with a playfulness reflecting his sense of humor. Their individual strengths combined into a dynamic synergism of form and decoration. The couple continued to work and create even into the last decade of their lives. In fact, when Edwin was forced to give up throwing pots due to his health, he acquired a computer and began making computer drawings using similar themes to those of his pots.
Through their tireless dedication to their craft, this impressive duo left behind an indelible imprint on the development and history of American ceramics. Their work can be found in the permanent collections of many important institutions, including the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York, Yale University Art Gallery, New Haven, Currier Museum of Art, Manchester, and the Museum of Fine Arts, Boston.
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